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  • Deb Puretz

Covid Art 69: Releasing energy



When the structures of the silicon wafers became too confining, I poured gesso on heavy French Arches paper. The thick viscous gesso, black and grey, acted differently than paint: it stayed where it had dropped. I liked the richness of the color and its syrupy texture. Sometimes I played with color around it, as here. Looking at it today, two decades later, it inspires joy and gladness.

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