top of page

Covid Art 69: Releasing energy

  • Deb Puretz
  • Jul 18, 2020
  • 1 min read


When the structures of the silicon wafers became too confining, I poured gesso on heavy French Arches paper. The thick viscous gesso, black and grey, acted differently than paint: it stayed where it had dropped. I liked the richness of the color and its syrupy texture. Sometimes I played with color around it, as here. Looking at it today, two decades later, it inspires joy and gladness.

Comentários


© 2025

bottom of page